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Kelly Spell

  • Modern quilts
  • USA

Kelly Spell creates abstract quilts that seek to bring calm and control to a chaotic world. Her work merges intricate construction techniques with minimalist design, drawing beauty from the tension between complexity and simplicity. An intense curiosity fuels Kelly’s artistic practice. Her bold, graphic compositions are informed by a deep appreciation for mid-century design and modernist aesthetics. Circles and swirling motifs convey wholeness, harmony, and energy as they move across expansive fields of color. She frequently develops her own distinctive palettes using Procion fiber-reactive dyes. Kelly lives in Hixson, Tennessee. She graduated from James Madison University in 2003 with a degree in Media Arts and Design. After purchasing her first sewing machine in 2014, she taught herself to sew primarily through online tutorials. While her early quilts were largely improvisational, her practice shifted in 2021 toward a more process-driven and precision-oriented approach—an intentional response to the turbulence of the Covid-19 pandemic and the political climate in the United States. Over the past nine years, her quilts have been featured in numerous publications, exhibitions, and museum collections worldwide, including the National Quilt Museum in Paducah, Kentucky, and the Textilsammlung Max Berk in Heidelberg, Germany. She recently published a guide on mounting quilts onto artist canvases, a technique she teaches to guilds and groups. Kelly received the MQG Award of Excellence at QuiltCon and was awarded Best Original Modern Design at QuiltCon 2024.

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EXHIBITION

Full Circle

Town

Sainte-Marie-aux-Mines

Exhibition venue

Espace des Tisserands, Place des Tisserands, 68160 Sainte-Marie-aux-Mines

Year

2026

This collection represents a visual journey through my evolution as an artist and quilter. I see it as a mid-career retrospective—an opportunity to recognize themes that only become visible through time and reflection. I began quilting in 2014. Working with fabric unlocked a confidence and enthusiasm I had never experienced while exploring other media such as painting and photography. Cloth allowed me to give form to ideas that previously lingered at the edges of my consciousness. My early quilts were largely improvisational, shaped by techniques learned through online tutorials and community knowledge-sharing. Over time, my technical skills deepened and my process became increasingly structured and precise. Yet one element remained constant: my fascination with circular compositions. Circles embody balance, harmony, and flow. Though visually simple, constructing a circle from fabric is technically demanding. That tension between simplicity and complexity continues to inspire me. I return to circles again and again as both formal structure and symbolic anchor. A fellow guild member once said, “Cotton was alive—it has personality and an opinion.” I carry that sentiment with me. Each quilt in this exhibition offered something I needed at the moment of its making: a lesson, a form of control amid chaos, or a place of refuge. I am grateful for the ongoing dialogue I have with the cloth and for the community and connections that have emerged from this body of work.

Kelly-Spell_A-Slice-of-Candy-Apple_153x153-5
Kelly-Spell_Juggling-Act_148x148-5
Kelly-Spell_Paper-Clips_120x120-5
Kelly-Spell_Three-Ring-Circus_132x135-5
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